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Reshimu is Tamar Shippony’s first solo exhibit, the product of a year and a half of work as a resident artist in the spaces of Mamuta. The exhibit is comprised of sculptural and textual works, a telescope-like sculptural installation in which the viewer becomes viewed, a kinetic installation in which the contents and remains of the books that Shippony sculpted create a new work, and video installations dealing with disassembled time and memory.

The viewer’s experience, strolling in one of the most fascinating houses in Ein Karem, turns into a multi-layered experience, where the time-gap becomes palpable, unresolved, and inviting for more visits.

Link to the catalogue (pdf version)
Conversation between Tamar Shippony and Talia Keynan (from Reshimu’s catalogue) [click here]
Curators: Sala-Manca Group

“Reshimu” – Tamar Shippony’s First Solo Exhibition

Music Performance at the opening: Tethys
“If the waves of the sea lapped against the slopes of Jerusalem, Ein Karem would be the first place to turn into a fishing village for a moment”.
HAWARO: Oded Aloni, percussion; Yarden Erez, acoustics and electronic instruments