רזידנסי

Cameraman of Derschmidt's project: The Phantom of the Story Teller

Eduard Freudmann (AU)

April-May 2011

A Film and a Room Installation. A collaborative work with the israeli german writing author Ilana Shmueli. How does memory come into existence. What happens when a story s told again and again?. Itineration as a strategy. Whats the function of memory?

Born 1979 in Vienna, is an artist and filmmaker, who researches and intervenes in the intersections of art and politics, power relations and social contexts, history-politics and media mechanisms, strategies of exclusion and the commodification of knowledge. He studied art in Vienna and Weimar and currently works on his PhD at the Department for Visual Contemporary History at the University of Vienna, dealing with post-genocidal identity constructions of third generation Shoah survivors between anti-Semitism and philo-Semitism. Since 2007, he has been teaching at the Department for Post-Conceptual Art Practices at the Academy of Fine Arts Vienna, where he participated in the education protests as a Squatting Teacher.

July 2010

Perry Bard  (US)

Perry Bard is an artist living in New York. She works individually and collaboratively on interdisciplinary projects for public space.  Her web and public space project Man With A Movie Camera: The Global Remake dziga.perrybard.net invites participation in a mashup of a 1929 film belonging to world cultural history. The work has been presented in 30 venues to date. It won Honorary Mention in the Digital Communities category at Ars Electronica ’08, was presented at Transmediale ’09, File ’09, Media Forum at Moscow International Film Festival ’09, at the Montreal Biennial ’09, has been installed in museums and galleries worldwide

Bard is participating in Mamuta’s residency program thanks to Pratt Institute

http://www.perrybard.net/

lizvlx, Hans Bernhard, Lola and Billy – Austrian-Swiss Collective
UBERMORGEN.COM is an artist duo created in Vienna, Austria, by lizvlx and Hans Bernhard. Behind UBERMORGEN.COM we can find one of the most unmatchable identities – controversial and iconoclastic – of the contemporary European techno-fine-art avant-garde. Their open circuit of conceptual art, drawing, software art, pixel painting, computer installations, net.art, sculpture and digital activism (media hacking) transforms their brand into a hybrid Gesamtkunstwerk. The computer and the network are (ab)used to create art and combine its multiple forms. the permanent amalgamation of fact and fiction points toward an extremely expanded concept of one’s working materials that for UBERMORGEN.COM also include (international) rights, democracy and global communication (input-feedback loops). “Ubermorgen” is the German word both for “the day after tomorrow” and “super-tomorrow”.
http://superenhanced.com
http://ipnic.org/superenhanced
http://ubermorgen.com/EKMRZ_Trilogy
http://gwei.org
http://ipnic.org/Generator_Trilogy
http://ipnic.org
http://vote-auction.net
http://www.UBERMORGEN.COM
http://tinyurl.com/UM-Amazon-de
Ubermorgen residency at Mamuta is possible thanks to Pro-Helvetia (Switzerland) and BMUKK (Austria) support