{"id":6046,"date":"2018-07-08T09:58:02","date_gmt":"2018-07-08T09:58:02","guid":{"rendered":"http:\/\/mamutadev.natanskop.com\/?post_type=portfolio&#038;p=6046"},"modified":"2024-12-13T20:07:16","modified_gmt":"2024-12-13T18:07:16","slug":"lola-arias-veteranos","status":"publish","type":"exhibition","link":"https:\/\/mamuta.org\/he\/exhibition\/lola-arias-veteranos\/","title":{"rendered":"Lola Arias | Veteranos"},"content":{"rendered":"<p>Opening: Friday, 27.7, 12:00, Mamuta at Hansen<\/p>\n<p>Within the framework of <em>Intersections<\/em>, at the Jerusalem Film Festival, the Mamuta Art and Research Center presents Argentinean artist, theatre director, and filmmaker Lola Arias. <em>Veterans<\/em> is a 5-channel exhibition, in which soldiers re-enact traumatic war moments from the Falklands, more than 30 years later.\u00a0Five films play simultaneously and the viewer can move between the different tales:\u00a0 <em>The Swimmer<\/em> by Marcelo Vallejo, a formal metal worker now a triathlon champion;\u00a0 <em>The Voice<\/em> by Daniel Terzano, a psychologist now employed at a psychiatric hospital; <em>The Sinking of the Belgrano<\/em> by Dario Volont\u00e9, a petty naval officer who now earns his living as a tenor; <em>Last Day of War<\/em> by Guillermo Dellepiane, a retired brigadier and air force pilot, and <em>The Diary of a Soldier<\/em> by Fabi\u00e1n Volont\u00e9, a car mechanic reading from his tattered diary, recording his experiences prior to the beginning of the war as a soldier.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-6050\" src=\"https:\/\/mamuta.org\/wp-content\/uploads\/2018\/07\/lola1-300x200.jpg\" alt=\"lola1\" width=\"300\" height=\"200\" srcset=\"https:\/\/mamuta.org\/wpress\/wp-content\/uploads\/2018\/07\/lola1-300x200.jpg 300w, https:\/\/mamuta.org\/wpress\/wp-content\/uploads\/2018\/07\/lola1-148x99.jpg 148w, https:\/\/mamuta.org\/wpress\/wp-content\/uploads\/2018\/07\/lola1-31x21.jpg 31w, https:\/\/mamuta.org\/wpress\/wp-content\/uploads\/2018\/07\/lola1-38x25.jpg 38w, https:\/\/mamuta.org\/wpress\/wp-content\/uploads\/2018\/07\/lola1-323x215.jpg 323w, https:\/\/mamuta.org\/wpress\/wp-content\/uploads\/2018\/07\/lola1-420x280.jpg 420w, https:\/\/mamuta.org\/wpress\/wp-content\/uploads\/2018\/07\/lola1.jpg 591w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-6051\" src=\"https:\/\/mamuta.org\/wp-content\/uploads\/2018\/07\/lola2-300x200.jpg\" alt=\"lola2\" width=\"300\" height=\"200\" srcset=\"https:\/\/mamuta.org\/wpress\/wp-content\/uploads\/2018\/07\/lola2-300x200.jpg 300w, https:\/\/mamuta.org\/wpress\/wp-content\/uploads\/2018\/07\/lola2-148x99.jpg 148w, https:\/\/mamuta.org\/wpress\/wp-content\/uploads\/2018\/07\/lola2-31x21.jpg 31w, https:\/\/mamuta.org\/wpress\/wp-content\/uploads\/2018\/07\/lola2-38x25.jpg 38w, https:\/\/mamuta.org\/wpress\/wp-content\/uploads\/2018\/07\/lola2-323x215.jpg 323w, https:\/\/mamuta.org\/wpress\/wp-content\/uploads\/2018\/07\/lola2-420x280.jpg 420w, https:\/\/mamuta.org\/wpress\/wp-content\/uploads\/2018\/07\/lola2.jpg 591w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-6052\" src=\"https:\/\/mamuta.org\/wp-content\/uploads\/2018\/07\/lola3-300x169.jpg\" alt=\"lola3\" width=\"300\" height=\"169\" srcset=\"https:\/\/mamuta.org\/wpress\/wp-content\/uploads\/2018\/07\/lola3-300x169.jpg 300w, https:\/\/mamuta.org\/wpress\/wp-content\/uploads\/2018\/07\/lola3-148x83.jpg 148w, https:\/\/mamuta.org\/wpress\/wp-content\/uploads\/2018\/07\/lola3-31x17.jpg 31w, https:\/\/mamuta.org\/wpress\/wp-content\/uploads\/2018\/07\/lola3-38x21.jpg 38w, https:\/\/mamuta.org\/wpress\/wp-content\/uploads\/2018\/07\/lola3-383x215.jpg 383w, https:\/\/mamuta.org\/wpress\/wp-content\/uploads\/2018\/07\/lola3-420x236.jpg 420w, https:\/\/mamuta.org\/wpress\/wp-content\/uploads\/2018\/07\/lola3.jpg 591w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>The reenactment is re-examined in light of their daily work environment: a psychiatric hospital, a swimming pool, and so on. The work engages with war memories, and their manifestations in present daily life and with the aestheticization of those memories.<\/p>\n<p>Common denominators from the present situation (two fans evoke a storm,toy airplanes airplane toys represent the war aircraft), conjure the past while keeping the gaps, accenting, in a Brechtian way, the fact that these memories are staged for the camera.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Opening: Friday, 27.7, 12:00, Mamuta at Hansen Within the framework of Intersections, at the Jerusalem Film Festival, the Mamuta Art and Research Center presents Argentinean artist, theatre director, and filmmaker [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":6051,"template":"","meta":{"_acf_changed":false,"footnotes":""},"exhibitions_categories":[167],"exhibition_status":[498],"artist":[],"class_list":["post-6046","exhibition","type-exhibition","status-publish","has-post-thumbnail","hentry","exhibitions_categories-exhibition","exhibition_status-past"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Lola Arias | Veteranos - mamuta art &amp; 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