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X-WR-CALDESC:Events for mamuta art & research center
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DTEND;TZID=Asia/Jerusalem:20190804T170000
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SUMMARY:Intersections at JFF 2019
DESCRIPTION:INTERSECTIONS is a haven for those seeking escape from the conventions of narrative and documentary film. \nThe Experimental Cinema and Video Art Awards focuses on cinema as personal expression and explores the innovative\, freewheeling edges of the moving image. \nNow in its 15th year\, the competition presents 8 selections drawn from 100 entries. Prizes totaling NIS 25\,000. are funded by the Ostrovsky Family Fund and by Rivka Saker\, in memory of Lia van Leer. \nGuest curator Federico Rossin introduces two programs of Polish films from the 1970s\, selected to draw attention to issues that resonate today. \nThe Vanished World showcases how experimental filmmakers in early sixties approached the Holocaust and the disappearance of Jewish life in Poland. \nFilm Form Studio films spotlight a group of dissident film and art students\, active between 1970 and 1977\, who\, disenchanted by the Łódź Film School’s curriculum\, developed their own approach to illuminating complicated topics. This echoes discussions currently taking place in Jerusalem. \nJonas Mekas\, who Jim Jarmusch described as ‘the poet’s version of Kung Fu Master\,’ will be saluted with a screening of his masterwork Reminiscences of a Journey to Lithuania (1972). Preceding it will be his rarely screened short\, Notes on the Circus (1966)\, a proverbial tutorial on his signature\, edited-in-camera balancing act. \nPéter Forgács and Jay Rosenblatt pair in a program that investigates memory\, time and displaced histories. Forgács’ Venom(2016) was awarded first prize in the Loop video art fest in Barcelona. Rosenblatt’s Claustrum (2014) evokes an immersive twilight zone that prompts reflections on the end of an era. \nMamuta Art and Research Center will host an installation by Eiv Kristal and Nurit Dreamer. They will transform Mamuta’s distinctive spaces into reflections of their autobiographic fantasies. \nINTERSECTIONS explores how inventive applications of cinematic magic tap memory\, reflect history and induce revelation. \nAdditional information on JFF website
URL:https://mamuta.org/event/intersections-at-jff-2019/
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jerusalem:20180726T080000
DTEND;TZID=Asia/Jerusalem:20180805T170000
DTSTAMP:20260520T121622Z
CREATED:20260417T101155Z
LAST-MODIFIED:20260520T121622Z
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SUMMARY:Intersections at JFF 2018
DESCRIPTION:This year’s Intersections offers 5 different programs\, all\, as always\, in the sphere of experimentation and curiosity. \nThe 14th Experimental Cinema and Video Art Awards showcase\, dialogue\, and celebrate with contemporary art practices. A determined selection committee went through more than 80 films to choose an unconventional\, well-crafted final program of 6 films by local artists. \nTwo programs by Latin American artists focus on themes of art under dictatorship\, memory\, war\, and abuse of power. \n The Mamuta Art and Research Center will present a 5-channel video installation by Lola Arias whose related film was shown in the Berlinale this year. Arias\, a renowned Argentinian writer\, theater and film director and performer uses reenactments with traumatized soldiers to evoke the Falklands war 30 years later. \nBrazil: Breaking Boundaries\, features four pioneering women artists (Analivia Cordeiro\, Anna Bella Geiger\, Anamaria Maiolino\, and Leticia Parente)\, of the 1970s who worked in moving images under the military government’s authoritarian rule. The result is eminently political\, subversive and often ironic. \n Akira Ikeda’s Ambiguous Places finds its place with the Avant-Garde. Its wackiness\, wickedness\, and wit will charm or unsettle audiences. \n James Benning’s almost silent Readers might be a writer’s favorite? A lesson in stillness and observation. \nVivian Ostrovsky & Sala-Manca \nAdditional information on JFF website
URL:https://mamuta.org/event/intersections-at-jff-2018/
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BEGIN:VEVENT
DTSTART;TZID=Asia/Jerusalem:20170716T080000
DTEND;TZID=Asia/Jerusalem:20170720T170000
DTSTAMP:20260520T122121Z
CREATED:20260506T105108Z
LAST-MODIFIED:20260520T122121Z
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SUMMARY:Intersections at JFF 2017
DESCRIPTION:“Intersections”: where two or more roads meet\, where two or more ways of thinking the world\, of thinking of art\, filmmaking and video art may meet. It is where you can change a direction\, but\, even more important\, it is where we are open to other possibilities. Art can be one of those rare places that allow one to challenge one’s own perceptions and boundaries and where nothing is set a priori. \nThe experimental film and video art competition presents six diverse works chosen from almost eighty. Each of them proposes a journey towards unknown dreams\, future scenarios\, transformations\, nature\, or yet-to-be discovered worlds. \nTony Conrad’s optical assaults are a reminder of how art can be something other than a commodity and the documentary about him introduces us to a multifaceted and nonconformist artist\, musician and filmmaker. \n״The Dybbuk”\, a film-perfomance with live orchestra\, blurs the boundaries between past and present\, life and death\, proposing an alternate reading of classic and canonic film\, appropriating its voice to confront the lurking hegemonic powers. \n  For those who know Heinz Emigholz’s work his film quartet \, STREETSCAPES – shown at the Berlinale Forum – is a surprise. \nJudging from his challenging documentaries he could be called a ‘spatial architect’ – constantly building filmic spaces from the architecture he perceives. There is rarely any text or music. BICKELS\, on the kibbutz architect who created Ein Harod\, is typical. However\, STREETSCAPES (Dialogue)\, is a most surprising new oeuvre in which the dialogue between the filmmaker and his interlocutor becomes the film. \n‘IN THE INTENSE NOW’ is João Moreira Salles’ meditative poem\, interweaving politicial events from 50 years ago together with his mother’s  super 8 footage shot in China and Brazil. A salute to Chris Marker and some of past cinema’s best moments projected in the unexpected format of a square. \nMANIFESTO delights the viewer with Cate Blanchett playing 13 different characters\, each representing a political or artistic manifesto. Witty\, provocative and fun. \nCome to Intersections 2017 for a ride through rougher roads! \nThanks to Rivka Saker and the Ostrovsky Family Fund for funding the Experimental Cinema and Video Art Awards \nAdditional information on JFF website
URL:https://mamuta.org/event/intersections-at-jff-2017/
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Jerusalem:20140714T194500
DTEND;TZID=Asia/Jerusalem:20140714T204500
DTSTAMP:20251203T144259Z
CREATED:20251203T143931Z
LAST-MODIFIED:20251203T144259Z
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SUMMARY:Chantal Akerman: Ma mère rit
DESCRIPTION:On Tuesday 15/7 19:00 internationally acclaimed cinematographer and artist Chantal Akerman will open a new exhibition at Mamuta Art and Media Center at Hansen House\, in collaboration with the Screen Based Department – Bezalel Art Academy and in the frame of Intersections – Jerusalem Film Festival.Please Join Us\nFree Entrance. \nReading – Performance\, from the book Ma mère rit (My Mother Laughs) at 19:45.
URL:https://mamuta.org/event/chantal-akerman-ma-mere-rit/
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